Bohemian Cinema By Jonathan Pacheco

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Essay

“Grindhouse”: Transcending Universes?

I remember when the Quentin Tarantino “Movie Universes” were a big deal (or at least a big deal to me.) It was publicized a little when the first Kill Bill volume was released, but I haven’t heard much since. So to bring you up to speed, let me quote an interview by Harry Knowles in which Tarantino lays it out:

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Essay

SXSW ‘07: Rough Start

A disappointing evening, and it was totally my fault. By the time I got registered, I missed the opportunity to go to Robert Rodriguez’s grindhouse double-feature of Torso (1973) and Zombie (1979), as well as the screenings of Sisters and All the Boys Love Mandy Lane.

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